3 Steps to Craft a Body of Research Paper to Attract the Reader

To create a perfect paper that will both meet all the professor’s demands and will be interesting for the audience who’s reading it, a student has to work really hard. The personal, rich details that you choose to include in your paper have the starring role in making people certain that your paper won’t get boring fast. The body of the research paper needs to be structured in a way that makes it interesting for the audience, and still checking off all the requirements that your professor has outlined in the syllabus. Keep in mind, of course, that your professor is your first reader, and that the more intriguing they will find your paper, the more likely they will want to give you a good mark. 1. Personal Experiences If the requirements allow you to add some stories from your own life, there’s really no better way to draw your reader into the text, as if it is a dramatic tale being recounted around a campfire. Think about it when you want to tell a friend about something new that you have learned, do you begin with the dry facts, or do you start with â€Å"So this morning, I was almost late for a class, because I forgot to set my alarm, but I’m glad I wasn’t, because†¦Ã¢â‚¬ ? Of course, when you frame information with personal lively details, the audience is more likely to get involved. Just make sure that this kind of first-person story is permitted before you include it to your paper. 2. Interesting Facts Since you’ll be going on at length and in details about a very specific topic, try to add some interesting facts to the body of the research paper whenever it is possible. While it’s possible that you find all the facts of your research interesting, think about the details that might be relevant to the readers’ lives. Is there anything about the research that could impact them or anyone whom they love? Is there an aspect of popular culture that you can draw into your research in a relevant way? There’s no shame in making your paper as intriguing as possible, while communicating the necessary facts that your professor has asked for. 3. Numbers Don’t forget about the power of using numbers. Data in numbers can really catch the readers attention, especially if the details attached to those numbers that are striking and the reader couldn’t even predict them. Is there a shocking number of test subjects that haven’t responded to a medication, expected to be highly effective? Are there surprisingly few people who complain about their in-laws when prompted to do so by a researcher in the social sciences? You can make your readers surprised when you hit them with numbers (especially a percentage of some kind) that will get their statistics-loving brain firing on all cylinders. Your carefully conducted research deserves a reader who’s paying close attention to what you’re saying. When you draw them in with stories, interesting facts, and the power of numbers, they’ll be better able to appreciate your research – and you’ll receive a better score for your paper.

Jurisdictional Issues within the Criminal Justice System...

Within the United States’ Criminal Justice System, problems pertaining to jurisdiction issues are quite common due several reasons. The United States v. Thomas J. L Smiley case and the United States v. Jared Lee Loughner case both had jurisdiction issues. Smiley and several other men obtained permission through a license from Mexico to search for treasure on an expedition; the treasure belonged to the steamer Golden Gate, which belonged to the Pacific Mail Steamship Company located within the United States. Ultimately, federal charges were brought upon him from the United States for violating a statue regarding plundering a sunken and/or abandoned ship. In contrast, Loughner had federal charges brought upon him by the United States due to†¦show more content†¦This presents a huge problem for attorneys and legal team of Loughner, as they must ensure he receive a fair and unbiased trial which is one of his fundamental rights as an American citizen. Without receiving an unbiased judge, the fifth amendment of the Bill of Rights within the United States Constitution would be violated. The Fifth Amendment states the following: No person shall be held to answer for a capital, or otherwise infamous crime, unless on a presentment or indictment of a grand jury, except in cases arising in the land or naval forces, or in the militia, when in actual service in time of war or public danger; nor shall any person be subject for the same offense to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use, without just compensation. 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Developing good character and correcting deviant behavior early in Americas youth is essential to the future generation. According to May and Ruddell (2012), the fist idea of segregating juvenile criminality from adults came about in the early 1800 and in 1899 Chicago was the first city in America to establish a juvenile court. In Georgia, the first childRead MoreDisproportionate Minority Contact739 Words   |  3 PagesDisproportionate Minority Contact Minority youth are disproportionately represented throughout juvenile justice systems in nearly every state in the nation. Disproportionate minority contact (DMC) in juvenile justice occurs when minority youth come into contact with the system at a higher rate than their white counterparts. African-Americans, Hispanics, Asians, Pacific Islanders and Native Americans comprise a combined one-third of the nations youth population. Yet they account for over two-thirds

Quantitative Risk Analysis In Information Security Management

Question: Describe about the Quantitative Risk Analysis in Information Security Management? Answer: Introduction This is a report on the application of modern information security tools and techniques contrasting in practical scenarios. In order to demonstrate these applications, this report draws a comparison of a failed conspiracy of the late 16th century known as the Babington Plot, famous for the way the English intelligence network managed to use espionage and cryptanalysis to safeguard the throne, and postulates how such a conspiracy would have benefited from modern information security technology. The Babington Plot was a conspiracy to assassinate Queen Elizabeth I and replace her with Queen Mary Stuart alongside a Spanish invasion into England. It was thwarted by Sir Francis Walsinghams efforts over 20 years to establish a valiant spy network and infiltrate the ranks of any potential threats. On account of his spies, Walsingham was able to collect damning evidence against all conspirators, especially Mary Stuart, who was the primary target of his espionage and ended up being executed for her involvement in the plot. The key evidence that made the case was acquired by a security leak in the communications between Mary Stuart and her supporters, both within and outside England, created by Walsingham that allowed him to intercept all such communications. After a detailed breakdown of the shortcomings of the communication channels established by the conspirators, this report presents a postulated scenario of such a plot occurring in the 21st century and how modern technology could play a role in plugging the gaps in the original 16th century plot. Information Security Techniques Used Before discussing the exact techniques employed during the course of the plot in order to establish secure communication, we must first look at the major persons of interest who were directly involved in the line of communication. The following is a brief of these people: Mary Stuart, Queen of Scots: She was a legitimate heir to the throne of England and had been chased out of Scotland by Scottish rebels. She was imprisoned by Queen Elizabeth I for 19 years at various locations and under the charge of various jailers. Sir Francis Walsingham: Then spymaster in the employ of Queen Elizabeth I, he was able to discover the ongoing plot and planted a double agent, Gilbert Gifford, in the line of communication between Mary and her co-conspirators in order to collect evidence against the conspirators thus eliminating Mary from the line of succession. John Ballard: He was a Jesuit priest as well as an agent of the Roman Church who was able to group together a number of other conspirators in a plot not just spanning the assassination of Queen Elizabeth but also encompassing a Spanish invasion of England, deposing Queen Elizabeth (a Protestant) and replacing her with Queen Mary (a Catholic). Anthony Babington: A Catholic recruit of John Ballard, he served the role of a courier for messages between the imprisoned Mary and other conspirators for a duration of time. He was also instrumental in Marys communications with her foreign supporters. Thomas Phelippes: He was a cryptanalyst in the employ of Walsingham and was directly inserted in the line of communication for decoding all letters sent to and received from Mary and making copies of the letters. Gilbert Gifford: A double agent who was originally involved in a previous plot against Queen Elizabeth but was captured by Walsingham and eventually agreed to act as a double agent in order to avoid punishment. Throughout the course of Marys imprisonment, a number of channels and techniques were employed for communication. However, the crux of the Babington Plot was the communication between the conspirators after a July 1584 decree by Queen Elizabeth that prevented all communications to and from Mary, thus also eliminating the possibility of incriminating her in a plot. A new line of communication had to be established, and this was tailor-made by Walsingham to suit his needs. The communications to Mary were received by the French ambassador to England as diplomatic packages. These were passed on by him to Gifford who would then hand them over to Walsingham. Walsingham would allow his cryptanalyst Phelippe to decode and copy the letters, then reseal the letters and return them to Gifford. As per previous arrangement, Gifford would hand this letter to a local brewer who would hide the letters in a water-tight casing inside the stopper of a barrel, thus smuggling them to Mary. The reverse pr ocedure was followed for letters originating from Mary. It is notable that the cipher used in these communications, a nomenclature cipher, was provided by Walsingham himself. The nomenclature cipher was a very popular type of cipher used in the 16th century for secure communication and is regarded as a type of substitution cipher which employs homophonic substitutions. The following is an analysis of this episode from the standpoint of achieving the three goals of secure communication confidentiality, integrity and availability. Confidentiality. The primary device employed by Mary and her conspirators to ensure confidentiality was to encode letters using a cipher which was supposedly known only to the two parties involved in the communication. There were multiple vulnerabilities in their designs. Firstly, the secrecy of the cipher had been compromised. Thus, all their communications were easily decoded and recorded. Secondly, a single cipher was used for all communications which ensured that once the cipher is known to an interceptor, all further messages are insecure. Thirdly, verification of the secrecy of the cipher was difficult to achieve. Even if a single cipher is to be used throughout all communications, if there were a mechanism in place to check if the cipher has been leaked to outside parties, then appropriate counter-measures could have been taken. Integrity. There were no mechanism in place to ensure integrity of messages. Therefore, it was extremely easy for anyone in the communication chain or for someone intercepting messages in the middle of the chain to modify the contents of the messages being conveyed. This was exploited by Walsingham in the instance of a reply from Mary to an authorization request for the assassination plan, approving of the plans of her supporters but not expressing authorization. The original letter was kept by him as evidence and a duplicate letter was forged, in which instructions to reveal the identities of all co-conspirators and their roles was added by him along with authorization to proceed with the plan, and sent to the French ambassador as a letter from Mary herself. Availability. There were minimal considerations given to ensuring availability of the messages, especially from the viewpoint of modern information security. The meandering routes taken for all communication and the long distances to be travelled made it so that, in the absence of any high-speed data transmission technology, the only concern of the conspirators was to ensure secure delivery of messages. Walsingham was keen to ensure steady communication between Mary and her supporters as this was the most important pre-requisite for gathering evidence against Mary. Modern Techniques Now that we have discussed the original intricacies of the plot and the various mechanisms employed for secure communication during the conception of the Babington Plot in the late 16th century, we can proceed to adapt the scenario to the 21st-century. Should a similar scenario arise in the present era, the following adaptations of the original plot are quite probable. Firstly, the communication link would definitely be digital. As the people involved in the conspiracy are distributed far apart from each other geographically, it is only logical that digital communication media, most likely the internet and e-mail, would be employed. Secondly, due to the addition of high-speed computing in to the mix, both the cryptography and cryptanalysis techniques would be significantly upgraded. Instead of a simple substitution cipher, which can be easily cracked using computers, a more sophisticated encryption algorithm would be used. Thirdly, the role of Gilbert Gifford would experience a notable change. Modern day message carriers, the role previously played by Gilbert Gifford, are computers and not people. Thus, it is highly likely for Mary to communicate directly with Babington and other conspirators without needing Gifford to relay her messages. It is thus more likely for Gifford to only receive copies of their exchanges for the purpose of managing logistics or such, if at all. The other people and props involved purely in communication of messages, such as the brewer and his beer barrels, can be imagined to have been replaced by e-mail Servers and electronic devices hard-wired with communication protocols. Fourthly, new security concerns arising out of usage of modern technology will need to be addressed. Most of these are modern day complications, derivations or branches of existing security issues which have been born due to the advances in technology, for example new forms of social engineering attacks. Therefore, to imagine the enactment of the Babington Plot in the modern era such that Mary Stuart and her fellow conspirators would strive to establish a secure line of communication via modern e-mail technology, it can be postulated that these techniques would be employed: Mail Transfer Agent (MTA). This is a modern day take to the brewer and his beer barrel from the original plot in the 1580s. Messages are transferred between the conspirators using a well-known MTA as this ensures that the MTA will ensure many aspects of secure transmission, including a measure of confidentiality, integrity and most importantly availability. In the modern day, digital transmission of data should be almost instantaneous and availability of message transmission services as well as transmitted data is a huge concern. Therefore, relying on a well-established and publically respected MTA is recommended. Authenticated Encryption. Authenticated Encryption (AE) is a data encryption technique which employs a block cipher to simultaneously provide confidentiality, integrity and authenticity. Some of this is redundant but recommended nevertheless with the usage of an MTA. An example of an AE would be combining a Message Authentication Code (MAC) with another data encryption function. A MAC uses the concept of a secret key shared between two end-users to ensure authentication and data integrity by using this key to generate meta-data (hash) specific to the key and the original data. Thus, any changes to the data or any differences in the key used for generating the hash will cause a mismatch with the original hash. In addition to this, the original message is encrypted using a data encryption algorithm (e.g. AES) and the MAC may be generated before or after encryption. Key Distribution. This is one of the greatest concerns of modern day information security. In the case of asymmetric encryption algorithms, public key servers have been able to resolve this issue in large parts. Symmetric key encryption algorithms are trickier in their needs for secure distribution of keys and this is often achieved by first establishing a secure communication line with the help of asymmetric keys. As was mentioned in the shortcomings of the original communication line in the Babington Plot, using a single cipher (or in this case key) for extended periods of communication causes vulnerabilities to arise and thus it is recommended for the key to be changed on a periodic basis. Conclusion and Recommendation The study and analysis of the circumstances and facts surrounding the Babington Plot have revealed that concerns regarding secure communication have been carried down from several centuries ago to the modern day. Emergence of new technology has changed the way these concerns apply to real life, and has introduced new forms and factors that affect these applications, but the basic concepts of confidentiality, integrity and availability are largely unaffected. The Babington Plot was thwarted by the presence of a large number of security leaks. These leaks were a product of the extensive spy network established by Sir Francis Walsingham and demonstrated that while the conspirators were committed to their cause, they were unable to outsmart their enemies. Thus, it can be said that the conspirators lost the information war, a term which is generally associated with the Information Era or the 21st century, but definitely holds true even for a case from the 16th century. It is thus highly recommended for any endeavor that requires secure communications to check and re-check all their communication links for conformity to the basic standards of information security. The techniques highlighted in this report are some suggestions that could benefit secure communications but should not be regarded as the entire gamut of security measures available in the modern day. The information war, between spies and counter-spies, guardians and hackers, thieves and security forces, is constantly on-going and ever-changing in form. Thus, caution and awareness are the only reliable tools to step towards victory. Reference Pachghare, V. K. (2015).Cryptography and information security. PHI Learning Pvt. Ltd.. Oppliger, R. (2015). Quantitative Risk Analysis in Information Security Management: A Modern Fairy Tale.IEEE Security Privacy, (6), 18-21. Rebollo, O., Mellado, D., Fernndez-Medina, E., Mouratidis, H. (2015). Empirical evaluation of a cloud computing information security governance framework.Information and Software Technology,58, 44-57. Jajodia, S. (2015). Advances in Information Security. Chen, X., Zhang, Z., Chen, H. H., Zhang, H. (2015). Enhancing wireless information and power transfer by exploiting multi-antenna techniques.Communications Magazine, IEEE,53(4), 133-141. Ab Rahman, N. H., Choo, K. K. R. (2015). A survey of information security incident handling in the cloud.Computers Security,49, 45-69. Kenkre, P. S., Pai, A., Colaco, L. (2015). Real time intrusion detection and prevention system. InProceedings of the 3rd International Conference on Frontiers of Intelligent Computing: Theory and Applications (FICTA) 2014(pp. 405-411). Springer International Publishing. Haya, G. M. (2015, June). Complexity Reduction in Information Security Risk Assessment. InProceedings of the 2015 ACM SIGMIS Conference on Computers and People Research(pp. 5-6). ACM.

The Value Of The Real Estate Business †MyAssignmenthelp.com

Question: Discuss about the Value Of The Real Estate Business. Answer: Introduction Real estate business is one of the most lucrative businesses in the world market today. Investors tend to change from temporary/ short term investment to a permanent investment (Spertino et al, 2013). As compared to other businesses, real estate business in most of the cases experience continuous increase in the value. The business involves both buying of a bare piece of land and selling, putting up a house structure on a piece of land then sell and also just buying and selling of already built houses. The value in the real estate business tends to be appreciating all the time due to value increase in the pieces of land (Tiwari White, 2010). Before venturing into real estate business, there are various factors that the business people need to consider just like in other normal business opportunities. Negotiation skills are some of the required attributes for those aspiring to engage in real estate business or those who already are running the business (Rothaermel, 2015). These skill s are deemed important in this kind of business especially when negotiating prices with the willing buyers and the willing sellers. On top of that, prior knowledge about the trending price is as well helpful for they act as the reference point at the time of negotiating prices with the customers so that prices are not overstated or understated (Bewayo, 2015). Another key factor to consider is the population of the location of the business. Population is always allied with good business performance (Graham et al, 2011). As a result therefore, highly dense populated areas tend to have businesses thriving well than those in less dense populated areas (Hahan et al, 2011). The business was then chosen to be situated and operate in five cities such as Belton, Terratae, Mount, Domaine and Hills. The services that will be rendered by the real estate agency in these cities will be buying pieces of land, constructing houses, renting out houses, leasing houses and selling the built houses to the willing buyers. Since the business is from new investors and the business is still new, thorough market research incorporated with advertisements should be held viable to make the business have wider coverage in the cities. Televisions, radios, newspapers, magazines, social media and other platforms should be engaged in carrying out the advertisement to crea te awareness to the public to expand and win the trust of the customers. Advertisement will also ensure that wider market is covered and that the business stands a better chance of competing with the competitors favorably (Wagner et al, 2013). In connection to that, advertisement will wipe off the middlemen from the channel. As a result therefore, to have all of these done, more man power have to be engaged in the business and the more the number of workers, the larger the size of the business. In this case, the business size will be relatively big since more professional services will need to be hired. The prospected customers for this business are the residence and the willing investors who would be looking for apartments for hire in the cities. Research questions In order to identify and know what happened in the previous market in the previous years, data was collected covering the location of business (cities), the number of bathrooms houses in the cities were having, the number of bedrooms, the total number of rooms houses had in the cities, the advertisement cost and the prices that were labeled against the house in different cities. Data was to be used to construct research questions that would be helpful in identifying the behavior of the market and to find the strategies to venture into the market in the defined cities. Some of the objectives that were identified in this report were to determine if there was relationship between the listed cost and the final sale of the houses. Secondly comes to determine the relationship between all rooms the houses had and the listed cost and lastly, to determine the relationship between all the rooms a house has and the final sale. All these stated objectives will only be met if the research questio ns are answered. The first question then becomes; Which is the best city to invest in among the five sampled cities? Cost labeled against every product is one of the determinants of the value the product hold. Depending on the persuasive and the bargaining power of the involved parties in the buying and selling process, the listed cost can at sometimes be higher than the final sale. In the case where the listed cost is lower than the final sale, then it is either the product has been sold at a discount or the buyer had higher bargaining power than the seller. And if the real estate product had higher final sale than the listed cost, then it is either that the value of the real estate product had appreciated due to some added values to the product or the seller had higher bargaining power than the buyer. As a result to that therefore, we are interest to have a question that Is there relationship between listed cost and the final sale? Responding to this question will help the owner of the business know how to treat the two or consider them at any time they are making any transaction. It is in the minds of the many without proof that a house with the highest number of rooms will have the highest listed cost as compared to others that were having less number of rooms. To ascertain the change and the effect, this report is therefore bound to answering the question Is there a relationship between (All rooms) and the listed cost of the houses in the cities? Any sort of relationship that is found existing between these two variables will mean that any change in the number of rooms will definitely have effect on the listed cost. Lastly, we have also sparked interest in determining the relationship that exist between all rooms a house has and the final sale of the house. As a result therefore, we pose a question: Is there relationship between all rooms a house has and the final sale of the house? response to this question will also be viable to the decision makers of the business in that they will be required to consider the number of rooms a house has in labeling the final sale of the house irrespective of whether the buyer has higher bargaining power than him/her. Selected statistical methods Some of the selected statistical methods for use in this research were Pearsons correlation coefficient (r). This statistical method will help to identify the relationships that exist between variables to be tested as stated in the research questions. The value of r will show whether or not the relationship was strong positive if the value of r is positive and close to 1 or strong negative if the value of r is negative and close to -1 (Keith, 2014). The hand calculation of Pearsons coefficient will be as follows; Descriptive statistics such as the mean, variance and standard deviation of the collected quantitative data will be calculated as shown below; Mean = where i= 1, 2, 3, where n is sample size Mean will be calculated for listed cost and final sale for the sampled cities. Mean is important in determining the characteristic of the dataset (Schielzeth, 2010). To calculate the variance denoted by (S2) for the sample of the data from the dataset and it was done as follows; Variance (S2) = where from the formula, standard deviation is now the square root of variance and it is denoted by letter S when it is calculated for a sample. S = The dataset will also be represented in figures such as the scatter plot and box and whisker for the variables of interest i.e. listed cost, final sale and all rooms. The scatter plot will help us visualize the trend line between the plotted variables whereas the shape of the data represented in the variables will be shown in box and whisker plot. Technical analysis In response to question one, the line graph was used to compare how the listed cost and the final sale was changing with the sampled cities. As a result, final sale was slightly above the listed cost in most of the cities. The cost were seen appreciating in Belton city and the trend even continued to shoot higher in Domaine city. A sharp drop was recorded through to Hills city and remained almost constant at all the time when data was being collected. In Mount city, the listed cost and final sale were slightly increasing and higher than that in Hills where lastly, both the final sale were still on the rise in Terratae city with listed cost taking a sharper increase than Final sale. Bedrooms Bathrooms All rooms Listed ($000) Final Sale ($000) Advertising expenditure ($000) Bedrooms 1 Bathrooms 0.816468 1 All rooms 0.947519 0.930913 1 Listed ($000) 0.898309 0.891372 0.954659 1 Final Sale ($000) 0.880324 0.9083 0.950101 0.980465 1 Advertising expenditure ($000) 0.696894 0.62631 0.726355 0.76513 0.757146 1 The correlation coefficient (r) for the test of relationship between listed cost and final sale was 0.980465 showing that there almost perfect positive correlation between the two variables. This means that the higher the listed cost the higher the final sale, this responds to the second question. Similar test was conducted to test for the relationship between all rooms and the listed cost. The value of r was 0.954659 indicated near perfect positive correlation and that increase in the number of all rooms leads to an increase in the listed cost. This responds to the third question. In response to the forth question, correlation was tested between all rooms and final sale and the value of r was found to be 0.950101 that showed near perfect correlation. This can as well be interpreted to mean that higher number of rooms attracted higher final sale. All rooms, listed cost and final sale showed positive skewness and that higher were more than lower costs. The scatter plot above was to confirm for the strength of the relationship between final sale and listed cost that was shown to be at 96.13% and that most of the plotted points were concentrated around the trend line. All rooms showed to have influence on the final sale. From the collected data, relationship between the two variables was found to be at 90.27% as indicated by coefficient of determination (R2). Results and discussions From the research questions in response to question one indicated that it was crystal clear that in the previous years the business performed particularly in Domaine city. The prices of the real estate products were the highest and stood high as compared to other cities. It was therefore an advice to John Hikins and George Main real estate agency to prioritize Domaine city as the best destination for venturing real estate business. As opposed to that, Hills city recorded the lowest real estate business performance with no significant signs of showing increase in the trend as from figure 1. As a result therefore, the real estate agency is advised consider other cities over it and if at all it is to be considered, then it should be based on other factors otherwise it should be given low priority. Terratae is another city that had shown sharp price increase of the real estate products and the graph still shows that the trend was to continue for some time in the future. This makes the ci ty one of the best investment places for real estate business. The number of rooms (All rooms) in the cities were found to have influence in both the listed prices and the final sale for the houses. Due to that, near perfect positive correlation was recorded in the test of relationship between all rooms, listed cost and final sale. The coefficient of determinant showed all the strengths at over 90% to mean that all the tested relationships had near perfect positive correlation. References Bewayo, E. D. (2015). Uganda entrepreneurs: why are they in business.Journal of Small Business Strategy,6(1), 67-78. Graham, J. R., Hanlon, M., Shevlin, T. (2011). Real effects of accounting rules: Evidence from multinational firms investment location and profit repatriation decisions.Journal of Accounting Research,49(1), 137-185. Hahn, E. D., Bunyaratavej, K., Doh, J. P. (2011). Impacts of risk and service type on nearshore and offshore investment location decisions.Management International Review,51(3), 357-380. Keith, T. Z. (2014).Multiple regression and beyond: An introduction to multiple regression and structural equation modeling. Routledge. Rothaermel, F. T. (2015).Strategic management. McGraw-Hill Education. Schielzeth, H. (2010). Simple means to improve the interpretability of regression coefficients.Methods in Ecology and Evolution,1(2), 103-113. Spertino, F., Di Leo, P., Cocina, V. (2013). Economic analysis of investment in the rooftop photovoltaic systems: A long-term research in the two main markets.Renewable and Sustainable Energy Reviews,28, 531-540. Tiwari, P., White, M. (2010).International real estate economics. Palgrave Macmillan. Wagner, T. M., Benlian, A., Hess, T. (2013, January). The Advertising Effect of Free--Do Free Basic Versions Promote Premium Versions within the Freemium Business Model of Music Services?. InSystem Sciences (HICSS), 2013 46th Hawaii International Conference on(pp. 2928-2937). IEEE.

Objectifying Women in Music Videos Essay Sample free essay sample

Music today makes an tremendous net income and celebrity by exteriorizing adult females for video vocals and advertizements. Of class barely clothed adult females appear in many music pictures. Although exteriorizing adult females is non forced in the modern epoch. primary focal point of the viewing audiences watching the show are on the images of adult females in music picture and how their gender is exposed. Gradually the Music Video shapers tend to make powerful shocking sexual imagination of adult females to puddle among the assorted motives and catch the full attending of the spectator. So. music picture are created utilizing adult females gender as a beginning to sell the music picture. Womans are ever seen in music picture of all genres from hip-hop to start to sway to state. There is a by and large a batch of chitchats about the images we see of immature adult females. particularly in hip-hop pictures. We will write a custom essay sample on Objectifying Women in Music Videos Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page but is it all exhilaration or existent cause for malaise? What are the images that are shown in music picture? Are adult females being exposed as sex objects? How does this influence the manner people consider about adult females? Or is it all merely strictly amusement? Does the word picture of adult females in the picture affect the manner adult females are treated in society? Objectification of adult females by the media is non merely a modern-day tendency. It’s been go oning since music picture started aerating on M Television in the 80’s. Exteriorizing adult females has brought certain complications in the society for the grounds that batch of music pictures make some adult females seem lose their regard and seem like discourtesy for themselves after all being served as sexy objects in the music picture. Most of the music picture seem to hold discourtesy for adult females and her behaviour in today’s society and a batch of music pictures are aimed at the most vulnerable people who are particularly male chauvinists. The term objectification of adult females is by and large used to mean the presentation of adult females in the media as an object. Women’s organic structures are customarily used as objects to advance miscellaneous merchandises in the market from a aroma to the high category motor motorcycle. In certain images adult females are unfastened as being exposed and easy overwhelmed particularly in advertizements where they have to deprive off apparels and take on submissive functions. These images are preponderantly found on music picture where the focal point is merely a peculiar organic structure portion. Lyrics of the vocals abide and advance this objectification every bit good. In music picture where adult females are objectified represent the sexual semblance for work forces with the latest common motive that encompass teenage misss. adult females of all ages. strippers and about all available adult females in battalions. A music picture shot by a work forces is at its best because work forces can direct a female’s gender and do it into what they find tickle pinking. Most of the times. the function of adult females in such music picture is restricted merely for their muliebrity while their existent feelings and voice happen to be dense. Although. female gender is common on Television. commercial magazines. films and other media beginnings nil can fit the public presentation of adult females in music picture because most of the people tend to look up to an energetic music picture becharmed with the all right curves of a female with its all right motive. The adult females are objectified as a individual among a musical group. back-up vocalists. and terpsichoreans or merely function as a personal appeal near the creative person with the chief intent of capturing attending and to be ever looked at. Barely few clothed adult females tend to suit into the chief motive of the music and contribute to qualify the chief impact of the subject than exteriorizing themselves sexually with the music picture. Behavior of adult females in music picture is attributed for their desire to devour work forces. Finally adult females compete with the other facets to convey out the best to capture the figment of imaginativeness for male desires. A nymphomaniac is sometimes the existent term used to portray adult females with unnatural sexual desires in music pictures without any existent onslaughts they win the Black Marias of 1000000s of work forces. Women ever tend to be admired and for this ground they serve for music picture shows willing exposing in their best possible manner. Therefore. it’s become easy for work forces to take among the best female and utilize them easy or disregard them. Music picture in its ain universe accentuates adult females by their cardinal sexual inherent aptitudes that even an odd-job adult male gets her sexual attending and pays attending on it. Womans with their invariable province of rousing are in great demand for a permanent hunt to fulfill the demands of the music picture shapers. Womans should be able to exhibit their gender if they want to. conversely it should be done as a jubilation of their release. non as merely oculus confect for male witnesss. They should non be portrayed as objects instead they can be valued as existent human existences and non merely last as an entity for men’s pleasance or as a sexual adornment. Women activities in musical picture varies in conformity with the music. motive and for assorted grounds they are ever ready for striping off and dressing and present an indispensable willingness and preparedness for sex. Womans are frequently exposed showering and bathing and fulfill the male phantasy of the existent musical picture. Regularly adult females prefer for sexual exposure with full gusto in a musical picture that displays voyeurism as its popular subject. There are tonss of adult females available for shows with concerted behaviour and abide with the motive that is dealt fleetly and ruthlessly in musical pictures. Women don’t hesitate to show their organic structures to the desires of work forces. They wear lingerie. Bikini. or barely anything at all. No vesture is excessively cockamamie but it is largely preferable and appreciated by most of the work forces who watch the musical picture. Exceeding functions of adult females objectified with music pictures are ever adult females who are strippers or striking terpsichoreans. cocottes or adult females who plays that function in a sadomasochistic sexual relationship. Women play their functions as instructors who are school boy’s phantasies. school traveling adolescent misss who are old men’s phantasies. nurses. fed up / oversexed homemakers and tribades. The drama their functions apt and vigorous to elate the music picture manner to erotica. The Female creative persons in the music picture are challengeable to seek different manners for the motive of the music and organize a permanent function in the picture without losing the audience and doing it a great hit excessively. Many adult females performing artists despite of their undertaking as sexual objects are frequently forced into the consecutive functions of the music with which picture images diverge with women’s wordss. Each individual has their ain manner of exteriorizing adult females in the music picture and most of the times adult females in the music picture are posed openly for the lout of male viewing audiences. In music pictures adult females are given primary importance in forepart of the picture that attracts the audience to watch her along with music. This has become successful because adult females party are happy being exposed and give a unrecorded public presentation enthusiastically. The camera captures everything that might sometimes go inadvertent and neer guiltless plenty to put up a inactive thing for the observation males. Womans like to be gazed with such typical panoramic gaining controls that reveals their organic structures and unwrap their muliebrity. The picture can capture the whole image of the female or interrupt down foregrounding more on their legs. chest or possibly their manners like resting their organic structure on toe finger or the manner they look at the camera and utilize their lips to indicate out a series of events in agreement with the music and increasingly pull the witness watching the music picture. Music pictures display adult females as mere objects by interrupting their whole organic structure into assorted parts and exposing the confused parts to be easy enjoyed by work forces. This becomes more outstanding in music picture that exhibit the shadows of a female signifier merely to determine up the desires of work forces for the music played in the screen. Womans have a alone manner for their public presentation and easy identified for the demands of men’s phantasies. â€Å"I am the oculus. you are my victim† is one great political orientation rendered by Sheri Kathleen Cole after her observation with feminism used as an object in most of the music picture rules. This one phrase sums up the airs of adult females in erotica and music picture. Whoever controls the â€Å"eye†Ã¢â‚¬â€œwhether the camera. the regard. or image. it controls the â€Å"victim† and the topic. The photographer’s fad object IS most notably adult females. Such music pictures sometimes shows disgusted feedbacks from anti-pornography militants and from people who have typical conscienceless for women’s who should be viewed as human existences instead than mere sexual objects particularly in mainstream media. Even though fundamentally sets and their music are mini-commercials in the custodies of music fans they are largely devoted to musical pictures that are sung by slang of vocalists and played with several instruments. giving glances of female presentations into the universe and making libido for male jingoism. Once the female gets celebrity in forepart of the cameras for her gender after adequate interviews. exposure and articles. she can pack together an full â€Å"world† wherein she turns to be the first adult female to take up challengeable undertakings for the music picture public presentation. Earlier the music picture shapers would borrow the images of female images from picture taking. movie and other mainstream media. It was erotica images that was borrowed as natural stuff most of the times because it had a great hand clapping among the audience who finally became female fans and rendered it popular music groups devouring many music picture of the similar type. The music picture purchasers began to seek for adult qualities of the womens rightists and other images to authorise the nature of music with their phantasy for adult females and their manners. Finally the music picture shapers started making sexual labels with audacious adult females libidos and used their replicating images to pull the opposite sex and advance their music picture sale with easiness. Using adult females to uncover their gender became celebrated among musical picture shapers but many regarded it as force against adult females and exteriorizing women’s organic structure parts reduces adult females position and see her as a sexual object easy available for convenience by male viewing audiences. Despite several feedbacks from feminist analysts with utmost erotica music picture. nil has changed much with obscenity of adult females being objectified with sexual explicitness and utilizing their feminine poses to do the music survive for a long period of clip. The lone impact that caused among the music picture shapers with adult females was that they considered them as â€Å"soft core† images and distinguished from â€Å"hard core† adult nature of picture images and other assorted signifiers of erotica which feminists trade with. Music pictures have made the womens rightists better exposed for immature work forces to cognize about female gender and acquire them handy to import many adult females sexuality conventions with several airss on different picture camera angles and do it a originative art of female gender as commoditization of sex to pull the childs to most of the music picture creative activities. Womans in music pictures partly define sex with their sexualized representations and affect the viewing audiences and popular music fans. The sex of erotica in music picture has been easy achieved exteriorizing adult females to sexually overt organizing with her sexual traits to carry through the outlooks of male jingoism. Luce Irigaray respects adult females survive in society where work forces specify her â€Å"selfhood† for her image. gender as her really being. Irigaray writes in â€Å"The Looking Glass. from the Other Side. †that the image Alice sees in the mirror as her representation is neer an honest reproduction of herself. but the 1 that was mutated by external factors. Researching the music picture reveal the use of women’s organic structures as objects and bring forth false representations disempowering them in the society as an object of sex. In fact women’s sense of â€Å"self† go paralytic and becomes the quarry for the eyes of males who have great phantasy for adult females. In the musical picture. the camera persistently pays attending on a peculiar organic structure portion of a adult female and sexualizes merely a â€Å"part† of her. and considers the portion as a sexual object to pull the witnesss watching the picture. Many see such illustrations of organic structure parts of adult females is a gesture of dehumanisation stand foring merely one portion of adult female instead than her as a whole individual. Although adult females take the undertaking with great easiness to expose her chests. natess. her eyes or lips and whatever organic structure portion the picture shaper wants to hit and sexualise her lone with certain parts he considers it sexy and meet it along with the music played. Therefore. in malice of her whole organic structure that appears in the music picture. the adult females is abused non to be seen as her whole organic structure but merely different parts are sexualized and highlighted as sexy. The most of import characteristic to convey this impact is made by traveling the camera to run into the viewer’s look with the feminine curves and on whatever portion the music picture shaper high spots. This is the technique used in most of the picture that features adult females as t he chief object to capture the eyes of the viewing audiences and typically adopted by the music picture shapers. It is the mere happenstance of the adult females presenting which are captured normally to convey forth gender of the adult females and do a sexual difference. In a typical musical picture the set members play their instruments sprightly when the adult females lingers about demoing actions such as stretching her leotardss and flexing her lower necklines to do her cleaves seeable where by the camera narrows down to dissect her organic structure parts and accordingly produce a degree of libido for work forces to bask the musical picture without any interruption. Another impact for adult females on music picture is to construct a sexual difference. The adult females become more outstanding when accompanied by a adult male and move their best portion to get the better of the work forces in the music picture. The set members who are largely work forces engage to follow most of the female traits to do them seeable by turning long hairs and piercing plenty to pull the witness position on th em apart from the adult females in the music picture. This in fact has broken the impacts of masculine and feminine behaviours in world. The music picture that ab initio chooses a adult females with a catwalk at the ulterior phase set up her to deprive off in forepart of the camera to do her organic structure parts seeable. the camera fails to concentrate on the male set members or the vocalists maleness to uncover his organic structure parts because merely adult females can be objectified for her feminine characteristics. The set members are unnoticed even if they strip off their shirt to demo some flesh when a audacious female plays her function as a sexy drawing card. Therefore. it makes a batch of difference when emphasized on adult females as sexy objects. Womans are lone existences depicted in music picture because the music picture shaper constructs it taking into consideration of the male witness and normally add female gender for male regards. This does non intend to state adult females are non an intended portion of the audience for this type of picture that objectifies adult females but bulk of the interested autumn under the class of opposite sex drawing cards. Even lesbians brush such music pictures interesting every bit as the male witnesss for the fact that the image of adult female and sex is restricted to the heads of the spectator. To any spectator. the adult females projected as sexy seems to be nil but the same image may elicit the sexual impulse for male fans who enjoys it with male regard. Although the musical picture ever see female gender the genre of desire for the male witnesss who have to stay controlled on the other side because the adult females who are portrayed as sexy objects can neer return their regard or looks. In world. adult females in music pictures are displayed to straight look into the camera to run into the regard of the spectator on the other side. The male who is a Peeping Tom is rarely challenged or abandoned. The general rule is that the universe has created for adult females being objectified in such musical picture is that they are non the lone available objects for sexual entree but bulk of the adult females are ready to respond for the usage of male desires. In certain music videos the picture shapers prepare adult females to move as an object and descry her alone for her sexy characteristics. They readily capture the adult females who brazenly strip away and expose herself in forepart of the picture for the attending of the watcher terminal exchange a sexual feeling with the spectator. Irigaray writes that female gender is â€Å"accepted merely to the extent that it is prostituted to man’s phantasies. While moving brazenly. the adult females exist for the enjoyment of the witness but she is out to uncover any of her ain acting’s instead than mere elusive sexy actions to capture the viewer’s positions. In recent old ages many womens rightists spend hours in the tribunal of jurisprudence emphazing the images of adult females portrayed on such pictures and invariably evoke with voices that adult females should be considered by patriarchy’s criterions and womens rightists repudiate to undertake the power of female gender as nonsubjective images redefining the position as popular civilization. Women’s gender is go oning to be objectified non merely by music picture shapers but besides by porn merchants and picture managers. Get the better ofing the issues of taking women’s ego constructed images in the musical picture is beyond the control of the shaper because most of the music picture consumers give more importance for music pictures shot with adult females who reveal their gender in their best manner possible. Their usage has become really despairing to measure the adult females based on how sexy and nonliteral they are to be displayed in forepart of the camera. Now. as a replacement of merely exteriorizing the images of adult females it’s the picture gaining control that truly matters to project the characteristics of adult females that can be watched and enjoyed by the witness. The kernel of adult females as objects are opposed to gender ever because the audience gets distracted with normal bosomy adult females and celebrates the music picture showed with adult females who can picture an independent. sexy and comfy manner easy while the music is enjoyed by the viewing audiences. Much awesome. disproportional figure of females is rejected for the ground that they make their female gender undisclosed and convey a misogynist feel among the males and degrade the musical picture to be enjoyed alternatively with sexy aspects of adult females. The hip-hop civilization has become appreciated for the usage of female gender. Feminism and hip-hop go together for music picture shapers because it has greatly influenced the impressions of female gender among the youth civilization. Today hip-hop picture seems like merely to utilize a round. a few wordss. and largely objectified adult females for their prominence among the childs. The adult females objectified in hip-hop pictures are. referred to as hoes. fast ones. and bitches. Certain adult females do non digest the facts of adult females being projected as objects and raise several inquiries to negociate the undertaking of adult females to such pictures. When asked in a common treatment among adolescent age school girls a black. pre-teen miss said. â€Å"If I can acquire scraggy. frock. and dance like that. I can be in videos too† because of the impact the adult females has been used to pull the adolescent agers through musical pictures. These hip-hop picture ever have a good feedback from the childs and misogynism is barely seen among the male young persons. The pessimistic image of adult females in these pictures has got to make something to their self-esteem raw. Subsequently the docudrama on the 12-minute Booty Nation. produced by Duke. stress on how the industry uses the black female organic structure as a beginning of stuff and sexual position. Hip-hop videos create the semblance that fanciful libido groups can recognize their dream through the adult females who are objectified in the musical picture. At the concluding phase to set an terminal to both the commodification and objectification of adult females in hip hop. the panellists said that the society to acknowledge the job because the adult females who are objectified are ready to speak about the issue professionally and practically instead than coarseness for male regards. Music picture has become a good dose for males who long for female objectification ogling the cutting border of picture taking and gaining controls that can polish the characteristics of a adult females for societal suspension and good endocrines doing the great epoch of feminism with woman-lusters of sex on the picture. As music picture affords the most diverse array of alleviation for many. adult females objectified in it for viewing audiences pleasances has become common for the celebrity. prosperity and to advance the music among a competitory pack of music picture shapers. The adult females take the undertaking for granted and merit to have on the hottest rubric and on occasion acquire covered to set on the Bikini and give pleasing expressions to pull the male witnesss. The male in the musical picture have small or no function to play except that they are making things to entertain the females to uncover their gender. It’s sometimes let downing when misss go wild in forep art of the camera and lose their control to convey out the best porno scene. Perversely. speech production of that honored video series such as the â€Å"Doggfatherhimself† competently titled Girls Gone Wild. Doggystyle. Fans of his award-winning titillating picture where there was no female objectifications throughout the musical picture session. Another scene taht was mostly lifted from the movie â€Å"Undercover Brother† . as the vocal is from that movie’s cliched soundtrack. Of class. one of the subjects of that movie was objectification of adult females is a national failing. None of these productions. nevertheless. can keep a taper to the broadcast at the last Electronic Entertainment Expo when no word was at that place when Samus Aran strips at the terminal of the new Metroid. Most of the people feel gross outing to witness the females’ breasts jiggle beneath their concealment outfits. â€Å"Still excessively much vesture on you? † is what most of the music picture shapers regard for adult females while they shot a picture to fulfill the libido thirsts of males. Their rule of strippers on motorcycles may look like a stale publicity strategy to maintain a stagnating type in the air. The music will non merely have the existent sets and vocalists but besides existent depriving constituents to pull attending to the sexy objects of adult females. Most of the womens rightists are surprised at those few adult females who have written their declaration steadfastly that they are entertainers to run into the criterions of music picture shapers. The gender inequalities and favoritisms has made up the things worse and needs to be changed to assist the universe alteration for its better position for adult female to last with self-respect as mere human existences. This misinterpretation of many sexy word pictures has become common in our universe and the issue of the portraiture of adult females in music picture has become even worse. Too many immature adult females and work forces aren’t cultured plenty to grok how these â€Å"harmless† music pictures are really different from world. Unfortunately the hip hop artists don’t recognize how earnestly their pictures and vocals are taken among the childs in common. Either manner. the media are staying to portray adult females as an objectified thing and degrading their prosperity in a state. In an old school Hip Hop. adult females were referred to as ‘fly girls’ alternatively of bitch. Ho or mama? Work forces have one time once more affirmed their power by manner of a musical genre that now requires utilizing adult females in such a humiliating to go successful. What witnesss see in music picture and images of adult females being objectified will do a annihilating consequence on the manner work forces treat adult females. Gradually they regard adult females as a ownership like money and a mere object for their amusement. The music besides alters the outlook of the people presenting the message that sex is a avocation that has become a common misconception and childs easy fall for it to turn out them cool and non antique. Most of the work forces today still see adult females as cocottes. deviants and outcast them after seeing them depriving off in forepart of the cameras for the music to acquire more cheerful. Disrespect for the about bare adult females has become really outstanding on music picture album covers. It is believed that a smattering of adult females who don’t head to be objectified should non degrade adult females community as a whole. If adult females believe that the manner other adult females act affects her. she has to make something to halt it. Most of the times many adult females do non pass their whole life worrying about how other people portray about those certain figure of people who act brazenly in forepart of the cameras depriving and eliciting sexual desires among work forces. These adult females or misss in the musical pictures are immature and naif and barely think that money and popularity is all they need instead than being a existent dignified adult female in the society. Numerous magazines advertise adult females being viewed as objects instead than human existences. As a replacement of concentrating on the adult female as a whole. many ads merely concentrate on one portion of her organic structure ( Objectification of Women ) . Often the focal point starts from the caput foregrounding on lips. cervix. and chest and hips to leg and hold the show of the headless trunk. Even an eyewear advertizement has a man’s caput resting on a woman’s trunk where her chests are seeable and her caput is barely or non seen at all. Skyy Vodka continually uses women’s legs in their advertizements. It’s non merely the music picture shapers but besides such advertizements personify adult females as mere objects than a human being. Bibliography: Socialization. Vol. 2. No. 2. Spring 1999 hypertext transfer protocol: //enculturation. gmu. edu/2_2/cole/ Feminists call for hip-hop reform hypertext transfer protocol: //magazine. uchicago. edu/0506/chicagojournal/reform. shtml

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